Decoding Method - The principle

Decoding Method - Freedom through limitation

Decoding Method - Mental work

Decoding Method - Stabilise - first things first

Decoding Method - Stabilising - on the way to the summit

Decoding Method - Stabilising - looking inwards

Decoding Method - Step by step - didactic considerations

Decoding Method - Stabilise - on to the championship

Decoding Method - A different kind of stabilisation ....

Decoding Method - Practise musically, play musically!

Decoding Method - Wicked - The secret of structural reduction

Retro Method - A simple principle with a big impact

Retro Method - More safety after working with the decoding method

Retro Method - Versatile use - this is how to freshen up

Retro Method - Let's take a shortcut - decoding with the retro method

Letter Method - Create a map

Letter Method - Creative labelling

Letter Method - Let's play

Mute Play Method - A good school of inner listening

Mute Play Method - Everything in view without eyes

Nodal Point Method - What are junctions?

Nodal Point Method - No long palaver ....

Nodal Point Method - Not all speech is the same!

Stopwatch Method - On your marks, get set, .... !

Stopwatch Method - Always take it easy!

Metronome Build-up Method - The basics ...

Metronome Build-up Method - Fascinating: the magnification of the pulse

Metronome Build-up Method - Who is leading here?

Metronome Build-up Method - Right from the start: focussing on technical Articulation

Metronome Build-up Method - Just don't stress ....

Metronome Build-up Method - Desired laziness ....

Metronome Build-up Method - A dream wedding!

Metronome Build-up Method - Declaration of independence!

Metronome Build-up Method - The gamma model

Metronome Build-up Method - When you need a little variety...

Horizontal Addition Method - We programme play reflexes

Horizontal Addition Method - The magic formula

Horizontal Addition Method - Practise musically, not technically!

Horizontal Addition Method - Jumps - a topic in itself ...

Horizontal Addition Method - We juggle with variable repetition numbers

Horizontal Addition Method - Also works as a -retro- variant

Stabilisation Method - A gentle introduction ...

Stabilisation Method - We feel our way forward ...

Stabilisation Method - Emotionalise, never be "satisfied"!

Stabilisation Method - Try out, experiment, search ....

Grouping Method - We will become virtuosos!

Grouping Method - Spicy and precisely played!

Grouping Method - From basic to advanced level

Grouping Method - Please polish with holding tone!

Grouping Method - Hello addition method!

Grouping Method - Speed before strength!

Loop Method - Uncomfortable becomes comfortable!

Loop Method - Accelerate carefully ....

Loop Method - In search of good choreography ....

Loop Method - Off we go!

Reductive-Additive Method - Reduce music text

Reductive-Additive Method - Gradually extend reduction

Perforation Method - Let's look for a perforation pattern

Perforation Method - Fingers yes, wrist no.

Perforation Method - Work with Progressive Articulation

Perforation Method - On the way to the speed limit ...

Doppio Method - The doppio principle! Simple and effective

Doppio Method - Sharp changes!

Doppio Method - Two rhythms, two Attacks

Concentric Method - The basics

Concentric Method - Approach the limits, feel the choreography

Emphasis Method - Symmetrically emphasised

Emphasis Method - Two colours!

Emphasis Method - Two colours = two Attacks

Stop method - Hold and listen!

Stop method - Hold and feel!

Black-and-White Method - Light grey and dark grey become black and white

Black-and-White Method - At the limit

Black-and-White Method - Colour Purity and still musical!

Black-and-White Method - One key: the feel of the game!

Black-and-White Method - Goodbye rattling!

Black-and-White Method - Show one, hear the other

Vertical Precision Method - We build our first harmony

Vertical Precision Method - Technical "tips" ...

Vertical Precision Method - Workflow, body awareness and half button

Vertical Precision Method - Wedding! We form couples ....

Vertical Precision Method - Harvest time! That's how good it sounds in context.

Vertical Addition Method - Baumkuchen principle - layer by layer ....

Vertical Addition Method - Play and listen - fascinating colour mixtures are created

Vertical Addition Method - The bridge to Progressive Sound Patterns

Vertical Addition Method - Three directions for ever new listening and playing impressions

Vertical Addition Method - Crescendo forms are welcome

Spatial Method - Back and forth in space ...

Spatial Method - Dividing lines, slowly and sharply drawn

Spatial Method - Pure, strong colours ...

Spatial Method - Now it's getting creative ...

Spatial Method - Breaking the boundaries!

Sound Level Method - Dynamic Environment and Minimisation

Sound Level Method - A challenging design task ...

Sound Level Method - Don't get overconfident ...

Microdynamics Method - From intuition to the concept ....

Microdynamics Method - From concept to sound

Microdynamics Method - The most important concentration points

Microdynamics Method - Not all speech is the same!

Microagogy Method - From intuition to concept ...

Microagogy Method - Oscillating between the possibilities ...

Microagogy Method - Sing along! But how?

Shape Method - How do we create a contour?

Shape Method - Working out the contour

Shape Method - Singing and conducting!

Exaggeration Method - What are we exaggerating?

Exaggeration Method - From the exaggeration to the original

River Method - Brake or accelerate?

River Method - Feel the braking and bracing forces

Articulation - Introduction

Articulation - The four legato forms

Articulation - Portato and three staccato forms

Articulation - An allemande and five Articulations

Articulation - Welcome to Viennese Classicism

Attack - Introduction

Attack - Parameters Of Attack I

Attack - Parameters Of Attack II

Attack - Parameters Of Attack III

Attack - Parameters Of Attack IV

Attack - Model Of Attack I

Attack - Model Of Attack II

Attack - Approaches to didactics

Dynamic Environment - Introduction

Progressive Sound Patterns - Introduction

Progressive Sound Patterns - The Uniform Sound Pattern

Progressive Sound Patterns - The Original Sound Pattern

Progressive Sound Patterns - Progressive Sound Patterns meet the Metronome Build-up Method

Progressive Articulation - staccato becomes non legato

Progressive Articulation - Cantabile legato becomes legatissimo

Progressive Articulation - Declaiming legato becomes non legato

Positioning Technique - Introduction and the search for positions

Positioning Technique - Four-tone positions

Positioning Technique - Three-tone and five-tone positions

Positioning Technique - Connect positions

Interpretation Plan - Introduction

Interpretation Plan - How do I create an articulation concept?

Interpretation Plan - How do I create a tempo disposition?

Interpretation Plan - How do I create a tempo disposition?

Interpretation Plan - How do I create a dramaturgical concept?

Interpretation Plan - How do I create a topographical map for dynamics?

Interpretation Plan - How do I create a phrasing concept?

Interpretation Plan - How do I create a disposition of the musical braking and bracing forces?

Interpretation Plan - How do I strengthen my will to express myself?

Flexibility - Variation and Flexibility

Tempo Concepts - Introduction Tempo Concepts

Tempo Concepts - The Comfortable Tempo

Tempo Concepts - Four more Tempo Concepts

Microscopic and Macroscopic Work - Thoughts on planning the exercise

Methodological Principles - Principle of facilitation

Internal and External Parameters - What we hear and how we feel

Methodological Principles - Principle of aggravation

Methodological Principles - Principle of variation

Musical Development - Musical Development - Introduction

Musical Development - Development types I

Musical Development - Development types II

Articulatory precision

Dramaturgical Flexibility

Dramaturgical concept

Emotional attachment

Gesticulate

Uniform Sound Patterns

Variable pulse

Refresh

Reed playing

Inner listening

Selective optimisation of playing technique

Text knowledge

Text security

Text comprehension

Overview

Fluidity, elasticity, momentum

Intuition and variation

Strength, endurance, ability to concentrate

Original Tempo

Rhythmic precision in the passage work

Sovereignty

Technical economy

Tempo spectrum and tempo control

Refinement

Dynamic amplitude and black and white Sound Patterns

Dynamic Environment

Colour Purity

Colour spectrum

Sound Patterns

Sound control

Polyphony and perception

Transparency

Vertical Precision

Agogic development

Agogic phrasing

Dramaturgical connections and transitions

Dynamic development

Dynamic phrasing

Contour

Original Sound Patterns

Exaggerated Sound Patterns

Chord colouring

Attack flexibility

Articulatory Flexibility

Finger strength

Hand moulding

Stress relief

Ménage a trois - Bach: Prelude G major BWV 860

Memorise II - Brahms: Piano pieces op. 118

First contact - Mozart: Piano Sonata B flat major KV 333

Passages in Classical Sonata I - Mozart: Piano Sonata B flat major KV 333

Passages in Classical Sonata II - Mozart: Piano Sonata B flat major KV 333

Alberti Basses in Classical Sonata - Mozart: Piano Sonata B flat major KV 333

Internal phrasing - Mozart: Piano Sonata B flat major KV 333

Plasticity in passages - Mozart: Piano Sonata B flat major KV 333

Avoid articulation break - Mozart: Piano Sonata B flat major KV 333

Pulse reduction - Mozart: Piano Sonata B flat major KV 333

Passages in Classical Sonata III - Mozart: Piano Sonata B flat major KV 333

Vertical and horizontal strut force - Mozart: Piano Sonata B flat major KV 333

Dialogue - Mozart: Piano Sonata B flat major KV 333

Long diminuendo - Mozart: Piano Sonata B flat major KV 333

Chord repetition - Mozart: Piano Sonata B flat major KV 333

Classical Andante Theme - Mozart: Piano Sonata B flat major KV 333

Floating Albertis - Mozart: Piano Sonata B flat major KV 333

Large bow over 8 bars - Mozart: Piano Sonata B flat major KV 333

From darkness into light - Mozart: Piano Sonata B flat major KV 333

Character sketch - Mozart: Piano Sonata B flat major KV 333

Orchestral version - Mozart: Piano Sonata B flat major KV 333

Passages in Classical Sonata IV - Mozart: Piano Sonata B flat major KV 333

Unpack the paint brushes - Schumann: Fantasy pieces op. 12

Partita No.1 B flat major BWV 825 - 1. Praeludium

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 2. Andante cantabile

Piano Sonata B flat major KV 333 - 2. Andante cantabile

Piano Sonata B flat major KV 333 - 2. Andante cantabile

Piano Sonata B flat major KV 333 - 2. Andante cantabile

Piano Sonata B flat major KV 333 - 3. Allegretto grazioso

Piano Sonata B flat major KV 333 - 3. Allegretto grazioso

Piano Sonata B flat major KV 333 - 3. Allegretto grazioso

Nocturne F major op. 15 Nr. 1

St John Passion BWV 245 - Nr 31 - Arioso: Betrachte, meine Seel

Piano Sonata C minor KV 457

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Ballad F minor op. 52

Piano Sonata E flat major op. 31 Nr. 3 - 1. Allegro

Piano Sonata No.3 F minor op. 5 - 3. Andante espressivo

Prelude B major BWV 868

Scherzo No. 1 B minor op. 20

Partita No.1 B flat major BWV 825 - 6. Gigue

Partita No.1 B flat major BWV 825 - 2. Allemande

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata No. 3 B minor op. 58 - 3. Largo

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata No. 3 B minor op. 58 - 1. Allegro maestoso

Etudes op.10 - Nr. 1

Piano Sonata B flat major KV 333 - 1. Allegro

Piano Sonata No. 3 B minor op. 58 - 2. Scherzo

Partita No.1 B flat major BWV 825 - 3. Courante

Etude de Virtuosité E major op. 72 Nr. 1

Etude de Virtuosité E major op. 72 Nr. 1

Etude de Virtuosité E major op. 72 Nr. 1

Fantaisie-Impromptu C sharp minor op. 66

Kreisleriana op. 16 - Nr. 1

Kreisleriana op. 16 - Nr. 1

Fantasies op. 116 - Nr. 4 - Intermezzo

Piano Sonata C major op. 2 Nr. 3 - 4. Allegro assai

Etudes op.10 - Nr. 5

Fantasy pieces op. 12 - Des Abends

Prelude G major BWV 860

Prelude E major BWV 854

Prelude E major BWV 854

Piano Sonata E major op. 109 - 1. Vivace ma non troppo

Piano Sonata E major op. 109 - 1. Vivace ma non troppo

Piano Sonata E major op. 109 - 3. Andante, molto cantabile ed espressivo.

Symphony No. 5 B flat major WAB 105 - 1. Adagio - Allegro

Waltz B minor op. 69 Nr. 2

Sonatina C major op. 36 Nr. 1 - 1. Allegro

Sonatina C major op. 36 Nr. 1 - 1. Allegro

Piano Sonata B flat major KV 333 - 1. Allegro

Piano pieces op. 118 - Nr. 5 - Romanze